Jane Austen (1775-1817) and Fyodor Dostoevsky (1821-1881) owe their literary fame to the same psychological insight: multiple personality.
This is widely recognized about Dostoevsky, but not about Jane Austen.
Let me quote the relevant quotes from past posts.
Dostoevsky
The Double involves “the splitting of Golyadkin’s personality and the appearance of the double: the internal process is simply given dramatic reality”…“Golyadkin’s double represents the…internal split…Dostoevsky’s first grasp of a character-type that became his hallmark as a writer. Golyadkin is the ancestor of all of Dostoevsky’s great split personalities, who are always confronted with their quasi-doubles or doubles (whether in the form of other ‘real’ characters, or as hallucinations) in the memorable scenes of the great novels…”…“The mature Dostoevsky felt that the discovery of this ‘underground’ type, whose first version is Golyadkin, constituted his greatest contribution to Russian literature…its ultimate source lay in Dostoevsky’s own psychology.” [Search “Dostoevsky double” to read the whole post and find the source of this quote.]
Jane Austen
In an article published by the Jane Austen Society of North America, Professor of English Bruce Stovel makes the case that “Emma Woodhouse is a split character, with two very different sides,” that she has a “split self,” and that she “often does not attend to, or become conscious of, thoughts and feelings that are in her mind…Most important, Emma is, unknown to herself, in love with Mr. Knightley from long before the novel starts.” Indeed, “Emma’s unacknowledged love for Mr. Knightley provides the novel with its comic plot, much as Elizabeth Bennet’s unconscious love for Mr. Darcy does in Pride and Prejudice and as Captain Wentworth’s unacknowledged love for Anne Elliot does in Persuasion.” [Search “Austen Emma” for full past posts.]
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