BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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MPD Textbooks: — Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder (MPD) (a.k.a. Dissociative Identity Disorder (DID), New York, The Guilford Press, 1989. —James G. Friesen, PhD. Uncovering the Mystery of MPD, (includes discussion of demonic possession) Eugene, Oregon, Wipf and Stock Publishers,1997.

Monday, July 5, 2021

“One Flew Over the Cuckoo’s Nest” by Ken Kesey (post 4): Proof narrator didn’t identify with mirror-image, because he’s a different-looking alternate personality


In post 3, I noted that when the narrator, Bromden, looked in the mirror, he said the image did not look like him. That suggested multiple personality, but I didn’t know his alternate personality's self-image.


Early in the novel, another character had given an objective description: “I think somebody measured him once at six feet seven; but even if he is big, he’s scared of his own shadow. Just a big deaf Indian” [Native American] (1, p. 22).


Much later in the novel, after McMurphy discovers that Bromden can hear and speak, he encourages Bromden to stand up for himself.


“No,” I told him. “I couldn’t.”

“Couldn’t tell them off? It’s easier than you think.”

“You’re…lot bigger, tougher’n I am,” I mumbled.

“How’s that? I didn’t get you Chief.”

“You are bigger and tougher than I am. You can do it.”

“Me? Are you kidding? Criminy, look at you: you stand a head taller’n any man on the ward. There ain’t a man here you couldn’t turn every way but loose, and that’s a fact!”

“No. I’m way too little. I used to be big, but not no more. You’re twice the size of me.”

“Hoo, boy, you are crazy, aren’t you? The first thing I saw when I came in this place was you sitting over in that chair, big as a damn mountain…” (1, p. 187).


1. Ken Kesey. One Flew Over the Cuckoo’s Nest [1962]. New York, Penguin Books, 2007.

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