BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

MPD Textbooks: — Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder (MPD) (a.k.a. Dissociative Identity Disorder (DID), New York, The Guilford Press, 1989. —James G. Friesen, PhD. Uncovering the Mystery of MPD, (includes discussion of demonic possession) Eugene, Oregon, Wipf and Stock Publishers,1997.

Monday, March 28, 2022

“It Ends with Us” (post 4) by Colleen Hoover (post 7): Author misunderstands her novel and possibly herself


“He knows what he’s done.  He’s [the nice] Ryle again” (1, p. 266).


Lily, the protagonist, recognizes that there are two Ryles, one that is angry and assaults her, and the other, a nice Ryle, whom she loves. But the author has forgotten that the angry Ryle blacks out (post 3), leaving the nice Ryle with a memory gap. That is, the nice Ryle knows what he’s done only indirectly, through circumstantial evidence (Lily’s injuries, etc.).


Thus, the author does not recognize that she has written a multiple personality scenario, with two Ryle personalities.


Search “unacknowledged multiple personality,” which is a multiple personality scenario that is unlabeled, and is probably a reflection of the author’s own psychology (search “multiple personality trait”).


1. Colleen Hoover. It Ends with Us. New York, Atria, 2016.

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