BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

MPD Textbooks: — Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder (MPD) (a.k.a. Dissociative Identity Disorder (DID), New York, The Guilford Press, 1989. —James G. Friesen, PhD. Uncovering the Mystery of MPD, (includes discussion of demonic possession) Eugene, Oregon, Wipf and Stock Publishers,1997.

Saturday, April 16, 2022

“Asymmetry” by Lisa Halliday: People keep visiting my 2018 post (below), with its quotation from this novel about a character’s memory gaps, a cardinal symptom of multiple personality


2018

“Asymmetry” by Lisa Halliday: Parts 1 and 2 differ, not only in people and culture, but in punctuation and memory; one character has memory gaps


Part I of this novel begins: “…what is the point of a book…that does not have any quotation marks?” (1, first paragraph), meaning not just that dialogue is interesting, but that punctuation clarifies.


One hundred and twenty-five pages later, Part 2 of this novel, with a new cast of characters, has plenty of dialogue. But there are no quotation marks. It intentionally obfuscates.


And whereas people in Part 1 seem to know what they’re doing, at least one character in Part 2 does not. In spite of keeping a journal, and with no drugs or alcohol involved, he says that time and events go missing (which I notice, because memory gaps may be a symptom of multiple personality):


“It’s as if I blacked out for entire weeks at a time…What don’t I remember? Lots. Contemplating the blackouts in their aggregate makes my breath come short…writing things down does not work” (1, pp. 137-138).


In an interview, the author has said that, in some ways, Part 2 is autobiographical (2). Are memory gaps an example?


Only halfway, I will keep reading.


1. Lisa Halliday. Asymmetry. New York, Simon & Schuster Paperbacks, 2018.

2. https://slate.com/culture/2018/11/lisa-halliday-discusses-her-novel-asymmetry.html

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