BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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MPD Textbooks: — Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder (MPD) (a.k.a. Dissociative Identity Disorder (DID), New York, The Guilford Press, 1989. —James G. Friesen, PhD. Uncovering the Mystery of MPD, (includes discussion of demonic possession) Eugene, Oregon, Wipf and Stock Publishers,1997.

Friday, April 29, 2022

“Finding Me” a memoir by actress Viola Davis (post 2): “A huge part of me, my pathology, was a big secret…I had compartmentalized me”


“…deep inside there was a demon, and another part of me that was wrestling with the ‘alive’ me.  She, the demon, kept whispering, ‘You’re not good.’  But the other part, the fighter, the survivor, screamed back a resounding, ‘No!’” (1, p. 60).


“…happy moments would soon be followed by trauma—the rage of my dad’s alcoholic binges, violence, poverty, hunger, and isolation…I wished I could elevate out of my body.  Leave it.  One time, when I was about nine years old, I succeeded…I floated up to the ceiling, looking down at myself…Then I faced myself, staring directly into—me” (1, p. 70).


“…And eventually other inappropriate [sexual] behavior occurred that had a profound effect.  I compartmentalized much of this at the time.  I stored it in a place of my psyche that felt safely hidden.  By hiding it I could actually pretend it didn’t happen.  But it did” (1, p. 76).


“…A huge part of me, my pathology, was a big secret” (1, p.130).


“When I graduated from Rhode Island College, a voice somewhere far in the recesses of my psyche, which was always true, honest, and in hindsight, beautifully cognizant, that I didn’t have the courage to always listen to, but when I did, it served me perfectly, steered me to apply to a six-week summer program at Circle in the Square Theatre in New York City.  I got accepted…” (1, p. 135).


“Juilliard forced me to understand the power of my Blackness.  I spent so much of my childhood defending it, being ridiculed for it.  Then in college proving I was good enough.  I had compartmentalized me…” (1, p. 164).


1. Viola Davis. Finding Me (a memoir). New York, HarperOne/Ebony, 2022.

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