BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Sunday, June 26, 2022

“Bel Canto” by Ann Patchett: Author’s most celebrated novel (1) describes, in passing, a purported method of child sexual abuse


“He had lived his life as a good father but now Oscar Mendoza saw again his life as a boy. A daughter was a battle between fathers and boys in which the fathers fought valiantly and always lost…Oscar himself had made too many girls forget their better instincts and fine training by biting them with tender persistence at the base of their skull, just where the hairline grew in downy wisps. Girls were like kittens in this way, if you got them right at the nape of their neck they went easily limp. Then he would whisper his suggestions, all the things they might do together…His voice traveled like a drug dripped down the spiraling canals of their ears until they had forgotten everything, until they had forgotten their own names, until they turned and offered themselves to him, their bodies sweet and soft as marzipan. Oscar shuddered at the thought" (2, pp. 151-152).


Comment: Most persons with multiple personality have a history of childhood trauma (such as, but not necessarily, child sexual abuse). Why is this well-written passage in the book? Does it contribute to the plot or character development, or did it have a personal meaning for the author?


Search “Patchett” for posts on other works.


1. Wikipedia. Bel Canto (novel). https://en.wikipedia.org/wiki/Bel_Canto_(novel)

2. Ann Patchett. Bel Canto [2001]. New York, Harper Perennial Olive Edition, 2010.

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