BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

MPD Textbooks: — Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder (MPD) (a.k.a. Dissociative Identity Disorder (DID), New York, The Guilford Press, 1989. —James G. Friesen, PhD. Uncovering the Mystery of MPD, (includes discussion of demonic possession) Eugene, Oregon, Wipf and Stock Publishers,1997.

Friday, February 17, 2023

“Bleak House” (post 5) by Charles Dickens: Harold Skimpole, an adult character who insists he is a child, was said by Dickens to be based on a real person, Leigh Hunt, who apparently had multiple personality


“ ‘You’ll say it’s childish,’ observed Mr Skimpole, looking gaily at us. ‘Well, I daresay it may be; but I am a child, and I never pretend to be anything else’ ” (1, pp. 493-494).


In a letter of 25 September 1853, Dickens stated that Hunt had inspired the character of Harold Skimpole in Bleak House; "I suppose he is the most exact portrait that was ever painted in words! ... It is an absolute reproduction of a real man." A contemporary critic commented, "I recognized Skimpole instantaneously; ... and so did every person whom I talked with about it who had ever had Leigh Hunt's acquaintance” (2).


Comment: When an adult sometimes seriously insists that he is literally a child, he may be speaking from the point of view of his child-aged alternate personality. 


Added same day: So you should ask him, "How old are you?" A child-aged alter will usually have a serious, specific anwer.


1. Charles Dickens. Bleak House [1853]. London, Penguin Books, 2003.

2. Wikipedia. “Leigh Hunt.” https://en.wikipedia.org/wiki/Leigh_Hunt 

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