BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

MPD Textbooks: — Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder (MPD) (a.k.a. Dissociative Identity Disorder (DID), New York, The Guilford Press, 1989. —James G. Friesen, PhD. Uncovering the Mystery of MPD, (includes discussion of demonic possession) Eugene, Oregon, Wipf and Stock Publishers,1997.

Saturday, April 22, 2023

“Wifey” (post 2) by Judy Blume: Italics used for Ego-syntonic Fantasies and Thoughts vs. Ego-alien Voices


Sandy, the protagonist, for nearly two whole pages, which are rendered mostly in italics, appears to meet and have a sexual encounter with the plumbing contractor for her new house (1, pp. 172-173).


Then, suddenly, the italics disappear, and she has an ordinary discussion with the real plumbing contractor for about a half page (1, p. 174), proving the previous encounter to have been an ego-syntonic fantasy.


Comment: Most authors appear to conceive of italics—apart from their mundane use for emphasis—as a way to indicate that something is going on in the character’s mind, whether the thoughts are realistic or fantasy, ego-syntonic (which feel to characters like their own thoughts or fantasies) or ego-dystonic, ego-alien, voices of alternate personalities. The latter distinction re voices is a contribution of this blog.


1. Judy Blume. Wifey. New York, Berkley Books, 1978/2005. 

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