BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

MPD Textbooks: — Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder (MPD) (a.k.a. Dissociative Identity Disorder (DID), New York, The Guilford Press, 1989. —James G. Friesen, PhD. Uncovering the Mystery of MPD, (includes discussion of demonic possession) Eugene, Oregon, Wipf and Stock Publishers,1997.

Thursday, November 28, 2024

“Deliverance” by James Dickey: Author has dialogues between different components of himself in a multiple-personality creative process

“I may not have had everything to do with this—with creating this—I said to myself in a silent voice that was different from my usual silent voice, but I have had something to do with it. Never before had I had such a powerful sense of being in a place I had created” (1, p. 14)…


“I think,” I said, “that we’ll never get out of this gorge alive.”

Did I say that? I thought. Yes, dream man said, you did. You said it and you believe it” (1, p. 138).


 “What can we do?”

 “We can do three things,” I said, and some other person began to tell me what they were…

  “I liked hearing the sound of my voice in the mountain speech, especially in the dark; it sounded like somebody who knew where he was and knew what he was doing…” (1, p. 140).


Comment: Creative process has involved internal dialogues among alternate personalities.


1. James Dickey. Deliverance. New York, Mariner Classics, 1970/2023.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.