BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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— If you read only recent posts, you miss most of what this site has to offer.

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Tuesday, June 17, 2025

“The Kiss” (post 1), a Memoir by Kathryn Harrison (1, 2)


I sent for this 1997 memoir after it was recently mentioned, favorably, in The New York Times Book Review. So far, I have read only up to the point where “the kiss” between the author and her father takes place (2), after which, she describes her attempt at denial, including her tendency toward having a memory gap, and hearing a voice in her head, two common symptoms of multiple personality (a.k.a. dissociative identity):


“Bit by bit, layer by temporizing layer, I work to obliterate the truth…My boyfriend, threatened himself by what I revealed, colludes with me in the process. Together we forget what I said, even as privately I forget what my father did. It is as simple as only denial can be. Don’t think about it, I tell myself, but it seems to require an enormous effort of will…I realize I’m in a kind of shock…my voice won’t speak the words I hear in my head…I become one of the people to whom I wouldn’t mention such a thing as my father sticking his tongue in my mouth (1, pp. 74-75).


Comment: The above is not enough for a formal diagnosis of multiple personality disorder (a.k.a. dissociative identity disorder), but most novelists—as I argue in this blog—have only a milder, higher-functioning version, which I call “multiple personality trait” (as opposed to disorder).


I will add to the above after I finish reading this memoir and, in the future, a sample of Kathryn Harrison’s novels.


1. Kathryn Harrison. The Kiss, a Memoir. New York, Bard/Avon, 1997.

2. Wikipedia. “The Kiss (memoir) https://en.wikipedia.org/wiki/The_Kiss_(memoir)

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