BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Sunday, June 1, 2025

“The Third Girl” (Molly Sutton Mysteries 1) by Nell Goddin: Molly's Parts and Voices


“Molly flopped her head back and laughed, even though some part of her noted that nothing was especially funny” (1, p. 38).


“Part of her brain knew that she was rationalizing…And there is always hope there has been no murder, the rationalizing part whispered” (1, p. 169).


(An italicized voice in her head, addresses Molly: “Right, you’re going to skip the first party in your new village…Could you be any lamer?" (1, p. 185). 


Comment: "Parts" and "Voices" in the head suggest that the author has "multiple personality trait," as discussed in many past posts of this blog.

 

1. Nell Goddin. The Third Girl (Molly Sutton Mysteries 1). Beignet Books, 2015. 

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