BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, July 22, 2025

Novelists Hear Voices, A Textbook Symptom of Multiple Personality, plus an example from the Introduction to a Novel’s 20th Anniversary Edition by Wally Lamb


—Psychiatric Textbook on Communication With Alternate Personalities


“…Another form of contact is through inner vocalizations. The patient may ‘hear’ the alternate personality speak as an inner voice within, often as one of the ‘voices’ that the patient has been hearing for years” (1, p. 94).


—A Well-known Kind of Experience of Many Novelists


“Delores Price first came to me as a voice. I was in the shower after an early morning run, hustling to get ready for my teaching day at the high school where I’d worked for the past nine years. “Well, the dork just left me,” the voice said. “Good riddance.” She was unnamed, not yet visible. But in those eight words, she sounded wounded, irreverent, and funny. I liked her immediately” (2, p. XVI).


1. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

2. Wally Lamb. She’s Come Undone. New York, ATRIA/Washington Square Press, 1992.


Comment: It is fairly common for novelists to hear the voices of, and relate to, their characters, as though they were persons with minds of their own, the essence of alternate personalities. Neither patients nor novelists will insist that these are real people, because neither novel-writing nor multiple personality is a psychosis.

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