BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, February 13, 2014

Why does Sue Grafton gratuitously suggest that a character in S is for Silence might have multiple personality?

After my recent posts about Sue Grafton, I decided to read one of her novels, which I had not done for many years. So I just read S is for Silence (2005), which I had never read.

Tom Padgett is described as a man who, with his wife Cora out of town, “was an entirely different man. It was like having a separate personality, one he called forth and wore like a smoking jacket while she was gone. He had two such personalities, as a matter of fact. When he drank, especially at the Blue Moon, he relaxed into the blue-collar type from which he sprang. He was a good old boy at heart. He liked his boots and jeans, adding a western-cut sport coat when he felt like dressing up. Here in Cora’s fancy house, sober and unobserved, he activated another side of his nature, playing the Lord of the Manor. He was jaunty and dapper. He used a cigarette holder when he smoked and affected a snooty accent when he talked to himself.”

The information that this character has more than one personality is neither a clue nor a red herring in this mystery novel. It is gratuitous. There is no reason for its inclusion.

When a novel includes multiple personality for no literary reason, I think the reason is that the author takes multiple personality for granted. It is simply how people are, in that author’s personal experience.

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