BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Friday, February 28, 2014

William Faulkner’s Multiple Personality: Hidden in Plain Sight

In a short story, written by Faulkner and read to his friends as a “joke,” Faulkner’s alter ego says that he, not Faulkner, is the one who does Faulkner’s writing, that he is Faulkner’s ghost writer:

Faulkner, William: “Afternoon of a Cow” (1937/1947). In Uncollected Stories of William Faulkner, edited by Joseph Blotner. New York, Random House, 1979/1997.

For a discussion of that story and related issues, see:

Grimwood, Michael: Heart in Conflict: Faulkner’s Struggles with Vocation. Athens, The University of Georgia Press, 1987.

For most of his life, people noticed that Faulkner had puzzling and inconsistent behaviors and attitudes, but multiple personality, per se, was never considered or identified. Why wasn’t it?

Why is it so common for multiple personality like Faulkner’s to be hidden in plain sight? Partly because multiple personality is naturally and intrinsically secretive and camouflaged. And partly because people have never been told what multiple personality is, and what it is really like: which can be remedied by starting with the June 2013 post and then reading the rest of this blog.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.