BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Saturday, March 8, 2014

Post #2 on Dostoevsky’s The Double: It is NOT the story of Golyadkin and his nervous breakdown.

The conventional view is that Mr. Golyadkin is the main character and that the story is primarily about his nervous breakdown—either caused by, or featuring the delusion of, having a double—and how he was finally carted off to a mental hospital.

There are several reasons to reject that interpretation:

First, the title. Why doesn't the title highlight or even mention Mr. Golyadkin? Why isn’t the title Golyadkin and His Double or Golyadkin’s Double Trouble or, simply, Golyadkin? It is called The Double, because it is the double’s story.

Second, the narrator. At first, the reader is led to believe that the narrator is sincerely interested in, and sympathetic to, Mr. Golyadkin. At the beginning of the narrative, the only important character appears to be Golyadkin, and the narrator refers to him as “our hero.” But as the story progresses, the narrator’s attitude toward Golyadkin is gradually revealed to be mocking and contemptuous.

Third, how long has the double existed? Readers who are uninformed about multiple personality will take it at face value that the double was not present at the beginning of the story, and only arrives in the course of the story, as a cause or symptom of Golyadkin’s mental illness. But anyone who is informed about multiple personality knows that it has a childhood onset.

So Golyadkin’s double had probably been present for many years. The most likely scenario is that the double had been a protector/helper personality who was responsible for much of the success Golyadkin had had in his life up to that point. Either the double had helped Golyadkin from behind the scenes, so to speak, never coming out. Or the double had come out and personally handled things that Golyadkin couldn’t, but had always done so incognito, never taking credit.

However, as often happens in cases of multiple personality disorder, the better functioning alternate personality eventually got tired of doing most of the work and not getting any of the credit. The personality probably came to feel that he could achieve much greater success in life if he got rid of Golyadkin and was completely free to do things, and live his life, his own way. His plan was to drive Golyadkin crazy, to get him medicated and put away.

In short, The Double is not the story of Golyadkin’s failure. It is the story of the alternate personality’s success.

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