BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, March 19, 2014

Stephen King quote connects Children's Cognitive Talents and Adult Novelists

The connection made in yesterday’s post between adult novelists and children’s cognitive talents was made by Stephen King in a quotation found in my post of September 17, 2013:

King said that, “…to be a writer…you have to imagine worlds that aren’t there. You’re hearing voices…Adults will say [when the writer was a child], ‘You have an invisible friend, that’s nice, you’ll outgrow that.’ Writers don’t outgrow it.”

To “imagine worlds that aren’t there,” that’s paracosm, mentioned in yesterday’s post. When King said “invisible friend,” that obviously relates to what I said yesterday. When he said, “you’re hearing voices,” that indicates how real the imaginary playmates (characters) are. And when he said that writers “don’t outgrow it,” he’s saying that novelists make use of cognitive talents from childhood.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.