BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, April 11, 2014

Ernest Hemingway: Misunderstood by Psychoanalytic Literary Theory, whose "Splitting of the Ego" ignores Multiple Personality

Judging by Prof. Carl P. Eby’s Hemingway’s Fetishism: Psychoanalysis and the Mirror of Manhood (State University of New York Press, 1999), it has been much discussed by biographers that Hemingway had a sister about one and a half years older, that his mother wished that he and his sister had been identical twin girls, and that, for his first seven years, Hemingway’s mother had him wear dresses and hair styles that were identical to his sister’s.

As a result, Eby argues, Hemingway had a hair fetish and a splitting of the ego into male and female halves. “Hemingway’s split-off feminine half was apparently confined to the night…,” since “this half of his ego only surfaced in the day at the risk of ‘spooking him shitless.’”

Prof. Eby’s book is a very good discussion of the way the above issues pervade Hemingway’s novels. Unfortunately, Eby’s Freudian psychoanalytic theoretical framework misses the forest for the trees. As I have discussed previously: In the early 20th century, Freud was a rival of Pierre Janet to see who would be considered the father of psychoanalysis. Freud had the better campaign organization and won the popularity contest. But since Janet’s theory of dissociation could account for multiple personality, while Freud’s theory of the mind could not explain it (and therefore ignored it), anyone using Freudian psychoanalytic theory, like Prof. Eby, tends to ignore the issue of multiple personality.

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