BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Saturday, May 17, 2014

J. M. Barrie’s Peter Pan, or The Boy Who Wouldn’t Grow Up: a Multiple Personality Story

Peter Pan is not an immature man or a man who wishes for eternal youth. He is a prepubescent boy who never ages. He has hardly any memory of the past and hardly any sense of the future. No such boy has ever existed. And most men would not want to be one.

Such boys are found only in multiple personality. Indeed, as noted in yesterday’s post, they are one of the most common types of alternate personality.

“Child and infant personalities are found in virtually every MPD [multiple personality disorder] patient’s system of alter[nate] personalities. Usually there will be a number of child personalities, and they often exceed the number of adult personalities. The child and infant personalities are usually frozen in time; they are locked into a given age…” (1).

The other thing that I wish to highlight is found in “J. M. Barrie’s Introduction to the Play Peter Pan,” which begins:

“Some disquieting confessions must be made in printing at last the play of Peter Pan; among them is this, that I have no recollection of having written it…I remember writing the story of Peter and Wendy many years after the production of the play, but I might have cribbed that from some typed copy. I can haul back to mind the writing of almost every other assay of mine, however forgotten by the pretty public; but this play of Peter, no…How odd, too, that these trifles should adhere to the mind that cannot remember the long job of writing Peter” (2).

J. M. Barrie’s amnesia for writing Peter Pan reminds me of Sir Walter Scott’s amnesia for writing one of his novels, which I discussed at the end of my Dickens essay (June 2013 post).

The point is this, that if a writer had multiple personality, it would have been possible for one personality to have written something and have remembered doing so, but for another personality to have no memory of it.

It may be that the one who remembered writing Peter Pan was M’Connachie (see May 14th post).

1. Frank W. Putnam MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.
2. J. M. Barrie. The Annotated Peter Pan: The Centennial Edition, Edited by Maria Tatar. New York, W. W. Norton & Company, 2011.

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