BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, May 5, 2014

The Brothers Grimm tale "Rumpelstiltskin," an Allegory of the Secret, Incognito, Alternate Personality in Multiple Personality

In a previous post about Edgar Allan Poe, I discussed that in real life Poe had an alternate personality named “Nobody,” which is the kind of name sometimes used by alternate personalities to remain secret and unidentified. I noted that it was the same kind of naming trick used by Odysseus to fool the Cyclops in Homer’s Odyssey, suggesting that Homer knew things about multiple personality.

Poe and the Odyssey illustrate that, in multiple personality, alternate personalities like to carry on their lives, and go about their business, incognito. Indeed, to understand multiple personality, you have understand that it is, by nature, hidden and secretive.

In the Brothers Grimm tale “Rumpelstiltskin” (1812), a young woman must spin straw into gold or be killed. A magical imp, Rumpelstiltskin, gets the straw spinned into gold for her, but to pay him, she will have to sacrifice her first-born, unless she can guess or discover his name.

So this is a story about a secret person, who acts behind the scenes, and who maintains his personal power relative to a regular, well-known person by keeping his identity and name secret.

The tale is an allegory of multiple personality, in which the young woman represents the regular or host personality, while Rumpelstiltskin represents the hidden, behind-the-scenes alternate personality.

In multiple personality, the host personality often knows little or nothing about the alternate personalities. And the alternate personalities are often particularly reluctant to divulge their names.

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