BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, October 15, 2014

Agatha Christie’s Autobiography: “The Girls,” not just imaginary companions, lived on, but never grew old, since child-aged alternate personalities, like J. M. Barrie’s Peter Pan, don’t

Yesterday’s post discussed the “the girls” as they were portrayed in a novel written by Agatha Christie under a pseudonym. This post is about “the girls” as discussed by Agatha Christie in her autobiography, which she wrote between ages sixty and seventy-five.

It is the same seven girls, including Isabella, whom Agatha did not like, because she was too “worldly” (1, p. 90). But here, instead of discussing the personal conflict in terms of music, it is discussed in terms of croquet.

“I used to arrange tournaments and special matches. My great hope was that Isabel would not win. I did everything short of cheating to see that she did not win—that is, I held her mallet for her carelessly, played quickly, hardly aimed at all—yet somehow the more carelessly I played, the more fortunate Isabel seemed to be. She got through impossible hoops, hit balls from right across the lawn, and nearly always finished as winner or runner-up. It was most annoying” (1, p. 91).

“‘The girls,’ I may say, stayed with me for many years…Even when I was grown up I spared them a thought now and then, and allocated them the various dresses in my wardrobe…Even now, sometimes, as I put away a dress in a cupboard, I say to myself: ‘Yes, that would do for well for Elsie, green was always her colour.’ It makes me laugh when I do it, but there ‘the girls’ are still, though, unlike me, they have not grown old” (1, pp. 91-92).

As I have previously discussed in regard to J. M. Barrie’s Peter Pan, child-aged alternate personalities may never grow old.

1. Agatha Christie. An Autobiography. New York, Dodd Mead & Company, 1977.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.