BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Friday, October 10, 2014

Textbooks on Literary Theory have no theory for the Theme of the Double, Metaphor of Multiple Personality; Psychoanalytic Theory is Antithetical

Most college courses and textbooks on literary theory do not address the theme of the double. And those that do usually make the mistake of including it in the chapter or lecture on psychoanalytic literary theory (probably because of Otto Rank’s The Double, a Psychoanalytic Study).

But the truth is that psychoanalytic theory is antithetical to multiple personality, and that Freud, himself, did not make the obvious connection between the literary double and multiple personality. This is illustrated by Freud’s own analysis of E.T. A. Hoffmann’s “The Sandman,” a famous theme-of-the-double, multiple personality, story. (Search “sandman” in this blog.)

Why did Freud fail to make the connection between the theme of the double and multiple personality? Why are psychoanalytic theory and multiple personality antithetical?

Because Freudian theory wrongly assumes that everyone’s mind has only one consciousness; whereas, multiple personality involves multiple consciousness: In multiple personality, whenever one personality is “out” (in control of overt behavior), one or more other personalities are fully conscious—are “co-conscious”—behind the scenes.

This is not just theoretical. Clinically, in multiple personality, whenever you speak to one of a person’s personalities, later conversations with certain of their other personalities reveal that they had been eavesdropping.

Another example of multiple consciousness—the essence of multiple personality—is when fiction writers communicate with their characters. They find that their characters know things, think things, and have opinions that differ from their own. This demonstrates that the regular self and the characters are simultaneously and independently conscious. They are all parts of one person’s mind, but that person’s mind has multiple consciousness.

If you think I’m wrong about college courses and textbooks, please submit corrective comments. If I’m not wrong, then Multiple Identity Literary Theory should be added to the curriculum. Especially since theme-of-the-double/multiple personality is surprisingly common in literature. In fact, writers often include it, not for literary, but for personal, reasons. (Search “gratuitous multiple personality.”)

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