BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, December 9, 2014

Spells and Spellbound: Multiple Personality is implied by “Spell,” as in Saul Bellow’s Herzog, and by “Spellbound,” as in Nathaniel Hawthorne’s Wakefield

Spell: Saul Bellow’s Herzog

As I noted in a recent post on Saul Bellow’s Herzog, Mr. Herzog explains his disturbed thinking by saying that he had been under a “spell.” What is a spell?

“A spell, charm, hex or incantation is a set of words, spoken or unspoken (prayer). Casting a spell is considered by its user to invoke some magical effect. Historical attestations exist for the use of some variety of incantations in many cultures around the world.” —Wikipedia

Thus, a spell, per se, implies that two minds are involved, the mind that casts the spell and the mind that is put under the spell. The spell that Herzog was under was not cast by a mind from outside: it was cast by a mind that was inside him, an alternate personality.

Spellbound: Nathaniel Hawthorne’s Wakefield

As I noted in a recent post, Mr. Wakefield is described as being “spell-bound.” As in Bellow’s Herzog, there is no outside person casting a spell.

A famous use of the word “spellbound” is the title of a movie:

“Spellbound is a 1945 American psychological mystery thriller film directed by Alfred Hitchcock…Dr. Petersen soon realizes, by comparing handwriting, that this man is an impostor and not the real Dr. Edwardes…He suffers from massive amnesia and does not know who he is…This incident had caused him to develop amnesia…He also remembers that his real name is John Ballantyne.” —Wikipedia

Thus, to be “spellbound” may mean that an alternate personality or identity is not only exerting influence from inside (as in “spell” above), but that the alternate personality has come out, taken control, and temporarily replaced the person’s regular identity in everyday life.

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