BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, April 18, 2015

Each Alternate Personality in Multiple Personality is an Unreliable Narrator, Because Each One Has a Magical, Idiosyncratic, Partial View of Reality

In multiple personality, each identity has it own reality in regard to self-image, memories, interests, and world view. Each identity’s self-image—as to appearance, age, and even sex—may be quite different from how they appear to you. Each identity’s memories may have gaps, and each identity’s interests will lead it to attend to certain things only. So each identity’s overall view of reality will be distorted accordingly.

Thus, if a character is an unreliable narrator—and if the unreliability cannot be completely explained by ordinary common sense—then you should consider multiple personality.

What about drugs and alcohol? Couldn’t memory gaps be caused by alcohol blackouts? Possibly. But are you sure that the character has never had a memory gap when not drinking? And even if you could be sure that they never have, are you sure that the character does not have an alcoholic alternate personality? Are the story or character more peculiar than you would expect from alcoholism alone?

In short, consider the possibility of multiple personality whenever confronted with an unreliable narrator—especially if the narrator is inclined to idiosyncratic, magical thinking—because that is the nature of alternate personalities.

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