BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, July 18, 2015

NY Times Book Review interviews Sue Grafton (post 6): People with multiple personality “disagree with themselves,” and their characters “spark to life”

In tomorrow’s Book Review, Sue Grafton, bestselling author of the Kinsey Millhone detective novels—“X,” the twenty-fourth novel of the alphabetically-titled series was recently published—is interviewed.

She is asked which of her novels she likes the least. Grafton answers: “N is for Noose, though I bet if I went back and read it, I might disagree with myself.”

People with one personality may change their opinion or be ambivalent, but people with multiple personality may disagree with themselves.

What book most inspired Grafton’s literary career? Grafton says: “I, the Jury by Mickey Spillane. I’m not saying I fell in love with the book, but after Nancy Drew and Agatha Christie, what a revelation! I was 12, and it may have been the moment when the spirit of Kinsey Millhone first sparked to life.”

Notice how she refers to her main character, Kinsey Millhone. Grafton doesn’t say that she decided to create a character or that she thought up Kinsey Millhone. No, Kinsey just “sparked to life.”

Objectively, Kinsey was a product of Grafton’s imagination. But subjectively, Grafton did not construct or willfully imagine Kinsey. No, Kinsey just “sparked to life” during Grafton’s childhood, which is when multiple personality begins.

If Grafton’s subjective experience had been of having actively created and imagined Kinsey, then she would experience Kinsey as a kind of puppet, whose thoughts and actions are determined by Grafton. But that was not Grafton’s subjective experience of how Kinsey came into being.

Since Grafton’s experience was that Kinsey “sparked to life” of her own accord, it naturally follows that Grafton would experience Kinsey as having a mind of her own, which is how Grafton does experience Kinsey.

Grafton, like most novelists, has, uses, and enjoys a normal version of multiple personality.

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