BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, October 24, 2015

Jane Eyre (post 7): Bertha Mason misbehaves because she is “prompted by her familiar”—the alternate personality of her multiple personality disorder.

Rochester says that his wife, Bertha Mason, “is prompted by her familiar to burn people in their beds at night [himself], to stab them, to bite their flesh [her brother]…” (1, p. 257).

Who or what is Bertha’s “familiar”? What is a “familiar”?

According to Wikipedia, familiar spirits, sometimes referred to simply as “familiars,” are supernatural entities. “When they served witches, they were often thought to be malevolent, while when working for cunning-folk they were often thought of as benevolent…The former were often categorized as demons, while the latter were more commonly thought of and described as fairies.”

Some familiars take animal form, such as a witch’s black cat. Other familiars take human form, common in Western Europe. According to one definition, “A familiar spirit (alter ego, doppelgänger, personal demon, personal totem, spirit companion) is the double, the alter-ego, of an individual.”

Accounts of familiars were often striking for their “ordinariness” and “naturalism.” Familiar spirits “were often given down-to-earth, and frequently affectionate, nicknames. One example of this was Tom Reid, who was the familiar of the cunning-woman and accused witch Bessie Dunlop.”

Now, if I were to translate “familiar” to modern, psychiatric terminology, I would say that it refers to alternate personality, as in multiple personality. And since Bertha Mason’s multiple personality causes her distress and dysfunction, it would be multiple personality disorder.

1. Charlotte Brontë. Jane Eyre. New York, W. W. Norton, 2001.

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