BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Friday, December 25, 2015

Daniel Deronda (post 3) by George Eliot (post 6): Gwendolen has multiple personality’s amnesia—a memory gap—for her behavior when husband drowned.

In a previous post, I discussed indications of Gwendolen’s probable multiple personality found at the beginning of the novel. For hundreds of pages thereafter, the novel makes passing comments suggestive of multiple personality.

Suggestive Passing Comments

Nobody says that she has alternate personalities, but she is said to have “impetuous alternations” (1, p. 589).

She is continually spoken of as being possessed by metaphors for alternate personalities—ghosts, phantoms, and demons—at work inside her, behind-the-scenes:

“Fantasies moved within her like ghosts, making no break in her more acknowledged consciousness and finding no obstruction in it: dark rays doing their work invisibly in the broad light” (1, p. 606).

“In Gwendolen’s consciousness Temptation and Dread met and stared like two pale phantoms…” (1, p. 674).

“Gwendolen…was not afraid of any outward dangers—she was afraid of her own wishes, which were taking shapes possible and impossible, like a cloud of demon-faces” (1, p. 681).

But something more definitive of multiple personality happens when her husband drowns.

Memory Gap: A Cardinal Symptom of Multiple Personality

In multiple personality, if personality A is unaware of personality B, and has amnesia for what B does, then if B jumps in the water to save her drowning husband, A will have a memory gap for having done that, and will feel guilty for letting her husband drown. That is what happens in Book VII, Chapter 56 of the novel. Witnesses had seen Gwendolen jump into the water, but when she tells Deronda what happened, all she remembers is that she failed to throw her drowning husband a rope (1, p. 696).

Describing her past conflicting feelings toward her husband, Gwendolen says, “I was like two creatures” (1, p. 691).

1. George Eliot. Daniel Deronda. London, Penguin Books, 1876/2003.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.