BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Monday, December 21, 2015

Multiple Personality in Cross-Cultural Perspective: Relatively few visit the blog “Normal Novelists have-use-enjoy Multiple Personality” from USA and England.

Multiple personality and other types of posttraumatic dissociation are found around the world (1). So it is not surprising that this blog has been visited from more than fifty countries. But it may surprise you to learn that relatively few visits come from the USA, and almost none from England.

There is a myth that multiple personality is popular in the USA. Indeed, a professor of American Studies in Germany—land of the doppelgänger!—has published a book about multiple personality in American literature (2). But most Americans think of multiple personality as a literary gimmick. And in creative writing programs, instead of recognizing multiple personality, they speak of “voice” (3).

However, if there is any country where multiple personality is even less popular than it is in the USA, it is England. At least in the USA, multiple personality gets grudging respect professionally (4). Whereas in England, as I pointed out in a past post on dictionaries of literary terms, they have nothing to say about the theme of the double, but a lot to say about ghosts.

1. George F. Rhoades Jr., Vedat Sar (Editors). Trauma and Dissociation in a Cross-Cultural Perspective: Not Just a North American Phenomenon. New York, Haworth Press, 2005.
2. Heike Schwarz. Beware the Other Side(s): Multiple Personality Disorder and Dissociative Identity Disorder in American Fiction. American Studies, Volume 8, Transcript, 2013.
3. Thaisa Frank, Dorothy Wall. Finding Your Writer’s Voice. New York, St. Martin’s Press, 1994.
4. American Psychiatric Association: Diagnostic And Statistical Manual of Mental Disorders, Fifth Edition. Arlington, VA, American Psychiatric Association, 2013.

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