BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, January 16, 2016

Elizabeth Strout, Narrative Voice, Character Creation: Narrative voices are the private views of authors, since most authors have multiple personality.

The following quotes are from today’s New York Times article by Sarah Lyall about Elizabeth Strout, her new novel, “My Name is Lucy Barton,” and how she lets her narrator and characters be themselves: 

“It’s not my job,” Sarah [a character who is a novelist] says sharply, “to make readers know what’s a narrative voice and not the private view of the author.”

“In an interview last week, Ms. Strout said…her characters…come to life…through some mysterious process that even she finds difficult to explain…”

“I’m sure my issues, or whatever they are, get worked out in my writing, but that just doesn’t interest me,” Ms. Strout said.

Comment
Narrative voice, character voice, and author’s regular voice are all equally genuine voices of one and the same person, who does not mechanically construct any of them.

They all come to life, mysteriously, from the mind of the same person—a person who may not be very self-analytical, because in multiple personality, most personalities tend to mind their own business.

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