BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Saturday, January 30, 2016

Frank Richards, one of 25 pseudonyms of Charles Hamilton, puts Joyce Carol Oates to shame: He was much more prolific, the most prolific author in history.

“Charles Harold St. John Hamilton (8 August 1876 – 24 December 1961) was an English writer, specializing in writing long-running series of stories for weekly magazines about recurrent casts of characters, his most frequent and famous genre being boys' public school stories, though he also dealt with other genres. He used a variety of pen-names [twenty-five, according to tomorrow’s New York Times Book Review], generally using a different name for each set of characters he wrote about, the most famous being Frank Richards for the Greyfriars School stories (featuring Billy Bunter)…It has been estimated by researchers Lofts and Adley that Hamilton wrote around 100 million words or the equivalent of 1,200 average length novels, making him the most prolific author in history” (Wikipedia).

Hamilton’s autobiography is titled “The Autobiography of Frank Richards,” as though Frank Richards were a person in his own right.

Pseudonyms have been a recurrent topic in this blog, because alternate personalities often have their own names.

Postscript: My title would have been more correct to say that Charles Hamilton (not Frank Richards) is the most prolific author in history. I guess I was thinking about the fact that the only autobiography written by Hamilton, judging by the title, was by and about Frank Richards, as though Richards, not Hamilton, were the person's regular, host personality.

Postpostscript: Was his Charles Hamilton personality a writer? If so, was he not the kind of writer who would write an autobiography?

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