BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, February 19, 2016

Ghost Stories: another of the literary metaphors for multiple personality; for example, “Hamlet,” in which The Ghost is the second most important character.

The three literary metaphors for multiple personality mentioned in yesterday’s post—doubles, doppelgängers, and twins—are not the only ones. Others include the alter ego, second self, voice, shadow, and ghost.

When a story about multiple personality is not recognized as being about multiple personality, it is sometimes called a ghost story. For example, I found Henry James’s “The Private Life” in a book titled “Ghost Stories” (1).

The world’s most famous ghost story, William Shakespeare’s “Hamlet,” is not usually referred to as a ghost story, but its second most important character is The Ghost, without whom there would be no story.

Search “ghost story” and “Hamlet” in this blog. I have six posts on Hamlet.

1. Henry James. Ghost Stories. Introduction and Notes by Martin Scofield. Wordsworth Editions, 2008.

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