BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, February 27, 2016

In The New York Times Book Review, Sarah Ruhl, playwright, assumes that most people “live inside” the books they read, as she does, but most do not.

One reason fiction writers can write things most people cannot is that fiction writers have a different kind of subjective experience.

For example, although most people can suspend disbelief and get emotionally involved with a fictional story, they would not describe it as virtual reality, as “living inside” a book, as Ruhl does:

“I don’t want to meet most of my favorite writers. I want to give them their privacy in the afterlife. It is enough for me to live inside their books.” —quoted in New York Times Book Review interview of February 28, 2016

Nor do most people have such lifelike personalities inside them as the following quote suggests:

“I try to interpret how people subjectively experience life,” she has said. “Everyone has a great, horrible opera inside him.” — Wikipedia, quoted from The New Yorker

When most people read such quotes, they assume that fiction writers are speaking metaphorically. And, of course, strictly speaking, they are. They do not actually live inside books or have an opera inside them. But these metaphors are based on a vivid, inhabited, inner world that seven out of ten people probably do not have.

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