BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Wednesday, February 10, 2016

“White Teeth” by Zadie Smith: Multicultural comedy begins with joke about a character’s literary madness, which confuses multiple personality with schizophrenia.

Samad says that Archie married the wrong woman. “He referred to Ophelia’s madness, which led her to believe, half of the time, that she was the maid of the celebrated fifteenth-century art lover Cosimo de’ Medici” (p. 11).

This kind of “madness” is what I call (see recent posts) “literary madness”: Literary scholars and novelists tend to confuse multiple personality with schizophrenia.

People with schizophrenia never switch to an alternate personality. People with multiple personality do.

I think that what a novelist would find “mad” in Ophelia’s behavior is that she makes a public spectacle of her personality switches. There is nothing wrong with sometimes thinking that you are someone else—novelists do so when they write—but you should do it in private.

If your alternate personality wants to participate in everyday life, they must do so incognito.

And if one of your alternate personalities is a maid from the fifteenth century, you should consider writing a historical novel.

Zadie Smith. White Teeth. New York, Random House, 2000.

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