BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, February 16, 2016

Zadie Smith’s “White Teeth” (post 3): When you interview any novelist, is it only their host personality, like the writer in Henry James’s “The Private Life”?

In the author interview quoted in post 2, Zadie Smith said that she had thrown up her hands toward the end of her novel: she couldn’t understand what it all added up to. So is it silly for any reader or critic to pretend to find this novel’s (or any novel’s) true meaning, the author’s true intent, when the author, herself (if she is as honest as Zadie Smith) does not seem to know?

Another possibility is that most author interviews are misleading. For if what I say is true—that most novelists have multiple personality—then you are usually interviewing only the personality who does interviews, the host personality, and not the personality who is responsible for most of the writing.

That is the theme of Henry James’s short story, “The Private Life,” which I have previously discussed. In that story, James divides a writer into literally two persons, one who speaks to people in public and the other who does the actual writing in private.

James’s “The Private Life” is one reason that I call the multiple personality of fiction writers an open secret.

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