BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Thursday, April 28, 2016

“Autobiography of Mark Twain,” the Mark Twain Project, University of California Press edition: Psychological Mindedness of the Editor’s Introduction.

Equates Name and Pseudonym

The editor’s Introduction to the “Autobiography of Mark Twain” (the author’s own title), makes no distinction between “Mark Twain” and “Samuel L. Clemens.”

Throughout the Introduction, he is mostly called “Clemens,” but sometimes called “Mark Twain,” and which name is used, at any given point, appears arbitrary.

Indeed, the first sentence of the Introduction refers to the author as “Mark Twain (Samuel L. Clemens),” suggesting that the names are synonymous and interchangeable.

Alternate Personalities Collaborate

Clemens eventually decided to dictate his autobiography to a stenographer, and to discuss his life in no particular order: whatever happened to interest him at that particular moment. At least, that was his cover story. He was probably allowing various alternate personalities to tell their stories, and he couldn’t control the order in which they came forward or the part of his life they wanted to discuss.

On April 6, 1906, he said, “I have thought of fifteen hundred or two thousand incidents in my life which I am ashamed of, but I have not gotten one of them to consent to go on paper yet…I believe that if I should put in all or any of those incidents I should be sure to strike them out when I came to revise this book.”

He is probably describing conflicts among his various personalities: Many of the alternate personalities didn’t want to publish what they knew; some of their memories were true, but too embarrassing to publish; while other alleged memories were not true and were “merely literature.”

This Edition Not Psychologically Minded

Judging by the editor’s Introduction, it appears that this edition of the autobiography is, as it claims, “complete and authoritative,” but is not psychologically minded. It does not address the psychological distinction between the author’s name and pseudonym or wonder why he chose the title that he did. It does not wonder about the psychological implications of the way it was written. If it had wondered about these things, it might have become even more complete and authoritative.

Harriet Elinor Smith et al (Editors). Editor’s Introduction, pp. 1-58, in Autobiography of Mark Twain, Volume 1. A publication of the Mark Twain Project of The Bancroft Library. Berkeley Los Angeles London, University of California Press, 2010.

Note: This is the sixteenth post on Samuel Clemens. To read the previous ones, search “Mark Twain.”

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.