BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, April 25, 2016

What’s in a pen name, like Sam Clemens’s “Mark Twain”? Literary criticism should assume that a pseudonym is an alternate personality unless proven otherwise.

Importance of Names and Naming in
Shakespeare, Bible, Multiple Personality

“What’s in a name? that which we call a rose
By any other name would smell as sweet…”
But in Shakespeare’s Romeo and Juliet,
names are a matter of life and death.

In The Bible, naming was how God created everything:
God said, “Let there be [name]”; and there was [name].

In a person with multiple personality, the names of alternate personalities are pseudonyms.

Samuel Clemens & Mark Twain

“Mark Twain & Samuel Clemens” is a chapter (pp. 87-99) in Carmela Ciuraru’s Nom de Plume: A (Secret) History of Pseudonyms (New York, Harper Perennial, 2011):

“How the protean Samuel Clemens became the world’s most famous literary alias will never be known for sure…Clemens liked to explain that his appellation had been swiped from…a well-known steamboat man…There are other stories and legends as to how “Twain” came to be…Some have ascribed to Clemens a Jekyll-and-Hyde nature; some have remarked on pseudonymity as a conventional choice for Victorian humorists…

“Samuel Langhorne Clemens was born on November 30, 1835…‘Mark Twain’ made his debut on February 3, 1863, launched in an Enterprise column with the line, ‘I feel very much as if I had just awakened out of a long sleep.’ It was signed, ‘Yours, dreamily, Mark Twain’…

“At one point he even joked that an ‘independent Double’ was going around causing the kind of mischief that Sam Clemens wouldn’t dream of attempting…”

On his deathbed, April 21, 1910, “Not long before drifting off to sleep for the last time, he mumbled something about ‘dual personalities.’ ”

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