BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Friday, May 27, 2016

Richard Russo’s “Everybody’s Fool” (postscript on creative process): The text speaks of having an alternate personality who “would know what came next”

One line quoted from the novel in yesterday’s post deserves further comment:

“It was Dougie [the main character’s alternate personality] who would know what came next.”

That line doesn't make sense to me in terms of the story itself, since Dougie is not able to see the future. You could interpret that line as meaning only that Dougie is more decisive than the regular personality, which he is, but the phrase “what came next” strikes me as having to do with the story-writing process, which involves what comes next.

In literary lore, writers are said to have a muse, a guide in the writing process. Several writers discussed in this blog have spoken of having an alternate personality who serves as their muse—Sue Grafton and Stephen King come to mind—and that is my interpretation of the line quoted above.

Richard Russo is saying that he, too, has an alternate personality who serves as his muse and helps him with what comes next.

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