BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, May 21, 2016

Richard Russo’s memoir “Elsewhere” (postscript): He may not have conceptualized the self-dividedness of mother and grandmother as multiple personality.

In yesterday’s post, the quotes from his memoir may have made it seem like he conceptualized, what both his mother and grandmother had, in terms of multiple personality. But the rest of the memoir suggests that he did not think of it that way.

He may have been impressed by the psychological fact that people could be self-divided, and he might incorporate that knowledge in his novels, but he might do so without thinking of it in terms of multiple personality, per se.

And his having knowledge of multiple personality only by observation of others, and not from his own personal experience, would be a cautionary lesson for Multiple Identity Literary Theory, the thesis of this blog: When unintentional multiple personality is found in a novel, it would not necessarily reflect the author’s own psychology. It could reflect the psychology of people the author has known.

However, that would be a problem for my theory, since part of the theory is that the writer uses his own multiple personality in his creative writing process; for example, characters, to the extent that they come alive for the writer and have minds of their own, are equivalent to alternate personalities.

So I wonder if Russo is as different from his mother and grandmother in this regard as he thinks. Perhaps he, too, has multiple personality, but in his case, it is the normal version.

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