BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, June 20, 2016

Joanne Greenberg (“I Never Promised You a Rose Garden”) post 4: typical multiple personality with good memory, not psychotic, childhood trauma, writes novels.

Excellent Memory
Aside from her multiple personality memory gaps (her regular personality’s amnesia for the periods of time that an alternate personality was in control), Deborah (protagonist of I Never Promised You a Rose Garden) had an excellent memory.

She had to have had a good memory to remember the details of her inner world and its secret language. Also, as she mentions on page 254, she had memorized Shakespeare’s Hamlet from beginning to end.

I have previously described this paradox of the memory of people with multiple personality—memory gaps in a person who otherwise has an excellent memory—in regard to the absent-mindedness of Mark Twain.

Not Psychotic
Psychiatrists define psychosis as impaired reality-testing; that is, a person’s inability to test the validity of their own thinking by comparing it with objective reality. If you hear a voice, but you know other people don’t hear it, and that it is a product of your own mind, then you have intact reality-testing and you are not psychotic.

Deborah’s regular personality was in touch with reality.

Childhood Trauma
Multiple personality originates as a way to cope with childhood trauma. The reason that some children cope in this way is that having imaginary companions is a normal tendency in the psychology of childhood. Deborah’s alternate personalities originated to help her cope with the trauma of surgery at age five.

Novelist
Joanne Greenberg, once she was not mentally ill—her multiple personality was no longer causing distress and dysfunction—lived happily ever after, leading a full life, writing novels.

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