BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, July 26, 2016

Iain Reid’s “I’m Thinking of Ending Things”: Female nameless narrator gets telephone messages from a male caller, but the calls originate from her own number.

If the author understood what he was writing about, and if he meant the ending to be a surprise, why does he reveal (page 23) and repeat (page 24) near the beginning of the novel that the telephone calls come from the protagonist’s own phone number? Since she lives alone, it could mean only one thing.

Readers of this blog would have an even earlier clue as to what was going on. Beginning on page one, the first-person narrator and protagonist is nameless. And there is only one psychological condition in which nameless personalities are common.

Also on page one is this very interesting question: “What if this thought wasn’t conceived by me but planted in my mind, predeveloped?” (The thought being referred to is the title and first line, “I’m thinking of ending things.”) In the history of psychiatry, the subjective experience that a thought was planted in your mind was once seen as a typical, psychotic symptom of schizophrenia. But it is now understood to be more common in multiple personality, when one personality puts a thought in the mind of another personality.

“What if this thought wasn’t conceived by me but planted in my mind, predeveloped?” may also be the author’s reflection on his writing process. I have quoted a number of writers in this blog—e.g., Charles Dickens, Mark Twain, Sue Grafton—who say that they discover rather than create their stories, as if they were, somehow, predeveloped.

Iain Reid. I’m Thinking of Ending Things. New York, Scout Press/Simon & Schuster, 2016.

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