BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, July 13, 2016

Is there a non-traumatic, story-telling pathway to multiple personality? Or have all novelists (with their normal version of multiple personality) had childhood trauma?

Conventional wisdom is that multiple personality is a way to cope with childhood trauma, if the child happens to have been born with a sufficient ability to use the psychological defense of dissociation (an ability which is relatively common in children, as indicated by such normal phenomena as imaginary companions).

Whether a person’s multiple personality is a mental illness (i.e., it causes distress and dysfunction) or the normal version (an asset, which most novelists have) would depend on the how early and severe the trauma, whether there were supportive adults to help deal with the trauma, and whether there were other helpful things (like writing).

Since there has been trauma throughout history, it makes sense that there has always been a way to cope with it.

However, another thing that people have needed throughout history is story-telling. Before the written word, when stories were spoken, the best story-tellers would have been those who could virtually become each character as each one spoke. And the same is true for the process of writing characters.

So if things exist because they are useful, I can conceive of a nontraumatic, story-telling pathway to multiple personality. Plausibility does not make it true, but my mind is open.

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