BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, July 2, 2016

“Lady Oracle” by Margaret Atwood (post 6): Protagonist Joan says, “I was more than double, I was triple, multiple” and had written “Lady Oracle” in a trance.

Joan is being interviewed about her recently published book, Lady Oracle (a different kind of novel, within the novel, but with the same title):

“At this point I told the truth. I shouldn’t have done it, but once I’d started I couldn’t stop. ‘Well, I was trying some experiments with Automatic Writing,’ I said. ‘You know, you sit in front of a mirror, with a paper and pencil and a lighted candle, and then…Well, these words would sort of be given to me. I mean, I’d find them written down, without having done it myself, if you know what I mean’ ” (1, p. 237).

On page 246, Joan says:

“This was the beginning of my double life. But hadn’t my life always been double? There was always that shadowy twin, thin when I was fat, fat when I was thin…It was never-never land she wanted, that reckless twin. But not twin even, for I was more than double, I was triple, multiple, and now I could see that there was more than one life to come, there were many.”

I reserve comment until I finish the novel.

1. Margaret Atwood. Lady Oracle. New York, Simon and Schuster, 1976.

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