BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, August 15, 2016

“Along Came a Spider” (post 2) by James Patterson (post 3): Both hero Alex Cross and villain Gary hear rational voices, typical of multiple personality.

Since fiction writers hear rational voices in their head (1), they naturally assume that most other normal people do, too. So such voices are often heard by their characters, as a trivial aspect of normal psychology.

However, most people don’t hear such voices. It is people with multiple personality who do. They are the voices of alternate personalities, speaking to the host personality, from behind the scenes.

Alex Cross

“Everything was very noisy inside my head” (2, p. 16).

“…a voice inside me screamed” (2, p. 120).

“A line was sounding in my head: ‘Oh no, it’s tomorrow again” (2, p. 135).

“A phrase drifted through my head. Don’t start anything you can’t finish” (2, p. 178).

Villain with alleged multiple personality

“Gary held his head in both hands. He couldn’t stop the screaming inside his brain. I want to be somebody!” (2, p. 145).

To see the many past posts on this subject, search “voice” and “voices” in this blog.

1. Thaisa Frank, Dorothy Wall. Finding Your Writer’s Voice: A Guide to Creative Fiction. New York, St. Martin’s Press, 1994.
2. James Patterson. Along Came a Spider [1993]. London, HarperCollins, 2004.

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