BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Monday, August 1, 2016

James Patterson’s “The Thomas Berryman Number”: Does the bestselling author’s Edgar Award winning first novel reveal anything about his writing process?

This 1976 novel won an Edgar Award from the Mystery Writers of America, but the plot is not a mystery. I was expecting there to be some twist at the end as to who killed the mayor. But there was none. The title character is a professional assassin, and it turns out that he, as the reader has been led to expect, did, in fact, do it.

Although the murder is not a mystery to the reader, it was, in the story, to the public, who thought that someone else had done it. The truth is uncovered when a psychiatrist contacts a newspaper reporter (the narrator) to say that a hospitalized mental patient had told a story about who was going to kill the mayor before the murder took place. The mental patient turns out to have been a partner of Thomas Berryman, the killer.

The peculiar thing about this story set-up is that the psychiatrist calls a reporter, not the police. To state this another way: two kinds of storyteller personalities (a violent, psychotic killer and a psychiatrist) communicate with a writer personality to produce the book.

James Patterson. The Thomas Berryman Number. New York, Warner Books, 1976.

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