BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, August 17, 2016

Paul Auster, The Art of Fiction, Paris Review, 2003: “Books are born out of ignorance, and go on living only to the degree that they cannot be understood”

“As a young person, I would always ask myself, Where are the words coming from? Who’s saying this? The third-person narrative…there’s an eerie, disembodied quality to that voice. It seems to come from nowhere and I found that disturbing.”

“When you were fourteen years old…the boy next to you was struck by lightning and killed.”
“That incident changed my life, there’s no question about it.”

“Was I some kind of freak or was reality truly as strange and incomprehensible as I thought it was?”

“I felt as if I was writing in a trance.”

    “In Leviathan, your narrator Peter Aaron writes: ‘No one can say where a book comes from, least of all the person who writes it. Books are born out of ignorance, and if they go on living after the are written, it’s only to the degree that they cannot be understood.’ How close is that to your own belief?
    “I rarely speak directly through my characters. They might resemble me at times, or borrow aspects of my life, but I tend to think of them as autonomous beings with their own opinions and their own ways of expressing themselves. But in this case Aaron’s opinion matches my own.”

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