BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Monday, August 22, 2016

“Portrait of an Invisible Man” by Paul Auster (post 2): Why Was His Late Father Invisible? Auster’s Sixty-Nine Page Meditation on His Father’s Contradictions.

In recent posts on Ralph Ellison’s Invisible Man, I pointed out that one reason for the Invisible Man’s invisibility was his multiple personality, since his alternate personalities were usually hidden.

In undiagnosed multiple personality, not only are the alternate personalities usually hidden, but when they do come out, they usually do so incognito.

And since the alternate personalities are different from each other, but incognito, you don’t realize that you are seeing them, but you do have a vague sense that the person has puzzling contradictions.

Paul Auster sums up his impressions of his invisible man, his father, as follows:

“The rampant, totally mystifying force of contradiction. I understand now that each fact is nullified by the next fact, that each thought engenders an equal and opposite thought. Impossible to say anything without reservation: he was good, or he was bad; he was this, or he was that. All of them are true. At times I have the feeling that I am writing about three or four different men, each one distinct, each one a contradiction of all the others.” (1, p. 62).

1. Paul Auster. The Invention of Solitude [1982]. New York, Penguin Books, 2007.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.