BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Monday, August 8, 2016

Ralph Ellison’s “Invisible Man”: Meaning of Title; Relation of Nameless, Unreliable Narrator and Rinehart to Dostoevsky, Melville, Multiple Personality

In the opening paragraph of Invisible Man (1952), the nameless narrator says he is invisible because people refuse to see him. But he is unreliable. Ellison calls him “the hero who is somewhat of a liar” and says “That’s what you have to be alert to whenever you read fiction in the first person” (1, p. 267). Also search “nameless” and “namelessness” in this blog for posts on its relation to multiple personality.

Ellison says, “The invisibility, there is a joke about that which is tied up with the sociological dictum that Negroes in the United States have a rough time because we have high visibility…High pigmentation…But the problem for the narrator of Invisible Man is that he creates his own invisibility to a certain extent by not asserting himself…” (1, p. 96).

“Ellison…modeled his narrator after the nameless narrator of Dostoevsky's Notes From Underground” (2). That’s the same Dostoevsky who wrote The Double, a classic multiple personality story (search “Dostoevsky” and “The Double” in this blog).

Regarding another character in Invisible Man, Rinehart, Ellison says, “I was thinking of a character who was a master of disguise…"(1, p. 18). “He’s a descendant of Melville’s Confidence Man” (1, p. 76). Search “Confidence Man” in this blog to read my post on Herman Melville’s novel about a man with multiple personality.

1. Maryemma Graham and Amritjit Singh (Editors). Conversations with Ralph Ellison. Jackson, University Press of Mississippi, 1995.
2. Invisible Man. Wikipedia.

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