BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, November 27, 2016

“The Host” (post 4) by Stephenie Meyer (post 5): In this science fiction version of spirit possession and exorcism, aliens go native and love conquers all. 

The story of this novel—that the protagonist’s alternate personality is an alien being from outer space, who at the end of the novel gets surgically removed, so that the host personality can have her body all to herself—is nothing but a science fiction version of spirit possession and exorcism, which is an obsolete, misunderstanding of a psychological condition, multiple personality.

Nevertheless, there are two reasons to read this novel. First, it is a heartwarming romance in which love conquers all. Second, its depiction of the interaction between the two personalities—their rivalry, communication, and eventual cooperation—is true to life. For some reason, the author knows something about this.

What is not true to life is the idea that you can, or would even want to, eliminate the alternate personality. Since all of a person’s personalities originate from within that person, they are all parts of that person’s total personality. The only longterm solutions to distress or dysfunction are cooperation among the personalities or their merger into one.

Some multiples (people with multiple personality) want merger: all their personalities combined into one multifaceted personality. E Pluribus Unum (from many, one). And if all personalities agree, this is possible.

But some multiples would consider merger murder. And others would consider merger stupid, since multiple personality is key to their life as a novelist. In any case, there is no medicine or therapy than can eliminate personalities or impose merger. Personalities can appear to be eliminated or merged, but they are just lying low.

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