BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, January 9, 2017

Patrick White (1912-1990), Nobel Prize in Literature (1973), on his contradictory, alternating personalities, evident in his writing, but hidden from him.

“I chose fiction, or more likely it was chosen for me, as the means of introducing to a disbelieving audience the cast of contradictory characters of which I am composed” (1, p. 20).

“I see myself not so much a homosexual as a mind possessed by the spirit of man or woman according to actual situations or the characters I become in my writing” (1, p. 80-81).

“I never re-read my books once I have corrected the proof, but if for some specific reason I have to open one and glance at a paragraph or two, I am struck by an element which must have got into them while I was under hypnosis. On one level certainly, there is a recognisable collage of personal experience, on another, little of the self I know. This unknown is the man the interviewers, the visiting professors, the thesis writers expect to find, and because I am unable to produce him I have given up receiving them” (1, p. 182).

1. Patrick White. Flaws in the Glass: A Self-portrait. Penguin Books, 1981.

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