BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, January 21, 2017

“Youth” by J. M. Coetzee (post 5): Working as a computer programmer, not sure who he is, what he believes, or how old he feels, from moment to moment.

At the end of Youth—age 19 to 24, Part 2 of this memoir trilogy by the future Nobel novelist—things do not seem promising: “At eighteen he might have been a poet. Now he is not a poet, not a writer, not an artist. He is a computer programmer, a twenty-four-year-old computer programmer in a world in which there are no thirty-year-old computer programmers” (1, p. 283).

However, on the bright side, he has identity issues suggestive of multiple personality, which may explain why he is not sure who he is, what he believes, or how old he feels, from moment to moment:

“…who is to say that the feelings he writes in his diary are his true feelings? Who is to say that at each moment while the pen moves he is truly himself? At one moment he might truly be himself, at another he might simply be making things up. How can he know for sure? Why should he even want to know for sure?…he does not believe himself. He does not know what he believes” (1, p. 150-151).

“In his heart he does not feel himself to be more than eight years old, ten at the most” (1, p. 170), which suggests the presence of one or more child-aged personalities (a common type of alternate personality).

1. J. M. Coetzee. Scenes from Provincial Life: Boyhood [1997], Youth [2002], Summertime [2009]. New York, Penguin Books, 2011.

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