BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Thursday, February 2, 2017

Edward Albee (post 3): He says writers have “closely controlled” multiple personality, and drinking brought out his own “Evil Twin, doppelgänger, other self”

In some people, “alcohol blackouts” may be the periods of time that an alternate personality who drinks was in control. The following is from a biography of Edward Albee:

“Heavy drinking started in the 1950s…In the 1960s, there was a change: Occasionally Albee would drink so much that he would black out…

“Trying to trace when the actual impairment began, Albee looked back to Tiny Alice. He remembered writing three or four sentences and not knowing what they meant…It was as if someone else, another Edward, had sneaked in and put those lines into his play…

“Especially in London in the early 1960s, Albee woke up in strange beds in strange places and wondered how he got there

“As Claire does in A Delicate Balance, [Albee] makes a careful distinction between drunks and alcoholics: …[In alcoholics] ‘one becomes a different person.’ In his own case, there were those blackouts. ‘I couldn’t remember what I had done. And I kept waking up in places and didn’t know how I got there…’ ”

Albee could become extremely insulting when he drank. “Years later, trying to explain his outrageous behavior, he said, ‘Something happens in the minds of certain people when they drink. That click, that twist, and you become the Evil Twin…’ ”

In a letter, Albee said: “There is no veritas in vino for me…I do not become merely an unpleasant drunk, or an ugly self-destructive drunk, but I become entirely another person. I have always held…that writers have…a kind of closely controlled schizophrenia [he means multiple personality]. With some of us, though, doppelganger is an overpowering monster when uncontrolled…It mortifies me—tears me apart—and more than ever because I know it is not…me…the person I became at your house was not an extension of Edward Albee, but his demented other self” (1, pp. 298-306).

Search “blackouts” to see past posts on this recurring topic.

1. Mel Gussow. Edward Albee: A Singular Journey. New York, Applause Theatre Books, 2001.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.